Is that the best you can do?

In high school I spent one year on the yearbook staff. I started the class really excited, and I ended the class hoping never to speak of it again. When my mother saw the section I’d worked on–the advertising section, which I hated but did work hard on–she said, “That doesn’t look very good. That’s the best you can do?”

Or maybe she said, “That’s terrible.”

It’s hard to remember exactly because what I remember best was the pain that went through my chest. My mother wasn’t a mother of false praise.

The ads weren’t good though. I’d struggled with designing the ads. My relationship with the teacher was a disaster since I realized I wasn’t pretty enough to warrant his attention.

Maybe that wasn’t the problem. But I knew the popular boys and girls invited him to their parties and that sometimes he went.

You probably don’t need to be told I wasn’t ever invited to these parties. But I didn’t want to go to their parties. I wanted my mother to tell me I’d done a great job, that I had talent, that I should be an artist when I grew up.

She said (and this I remember), “I wouldn’t show that work to anyone if I were you.”

Twenty-five years later and I still haven’t.

So, last night I sent my “final” draft of my novel to my publisher. (Final until I get edits backs, that is.) All I have to do is wait for her to read the rewrites and tell me what she thinks.

It’s funny how something said to you years ago can stay lodged in your brain for decades. I wouldn’t show that work to anyone.

And here’s me trying to send my novel out for the world to see. (Although, the world isn’t going to see it. A tiny group of friends and some random strangers.)

We’ll see how it goes.

Editing Rehab

my work

Hello. My name is Marta, and I’m an editaholic.
I’ve spent hours editing, gotten lost editing, and been unable to remember what I just wrote after editing. After a long night of editing, I’ve woken up with strange characters in my head. During my breaks at work, I’d be eating my lunch and sneaking in some editing. When I’m away from my editing, editing is all I can think about. And even when I get some editing done, I think I could handle a little more editing. I knew I’d hit editing bottom when I edited my story to death.

The Case of the You-Shoulds

My art is almost always black and white. Some people tell me to do more in color. Some people make it clear they would like my if it were in color.

I like color, but I don’t like what I do with color. Not when it comes to real paper and ink. But I’ve been playing around with my work and Photoshop Elements. Part of me feels that this is cheating, that somehow it’s not real art. But the original image is mine and the choices I make for changing the work are mine. Does that count?

I have a friend who is militantly against Photoshop.

I don’t think she’s seen what I’ve done.

But they’re fun to do, and I hope that some of them might become cards for sale by Plum Tree Books. It’s a hope. We’ll see.

Writing is similar in a way. You write a particular way. Your stories might be dark or light. They might make people cry or make people shout. And so some people might say, “You should write a story with a happy ending.” “You should write about serious topics.” And maybe the real question they’re asking is, “Why aren’t you writing for me?”

I’m reminded of when I overheard a lady say to an artist, “You should do paintings of dogs.” He nodded politely and said, “Yes, ma’am.”

I wonder if the people so filled with “you-shoulds” that they have let them spill onto other people aren’t really talking about themselves. They aren’t doing what they wish to do, so you need to do it for them.

What do people tell you to write or to draw? Does it bother you? Do you ever follow their suggestions? Or are you the person who tells others what they should do?

Investaphobia

All my eggs in one basket?

No one in the history of the universe invests money in a company knowing they’re going to lose all said money. Oh, some people may invest in losers because they know how to actually get more money later–yeah, real estate nightmare, anyone–but the plan is to make money eventually.

People lose money of course. Plans go awry. Hopes are dashed. Dreams are deferred.

I don’t really understand any of it. I confess a deep suspicion that making money without actually making anything in return feels wrong. This sort of thinking gets me nowhere and I’ll probably be a hair’s breath from living in a box and eating beans out of a tin when I’m old. Well, I’ll draw pictures on my box, so there.

Anyway, I want to be a writer. I guess I am a writer? (How does one even know? It’s not like I got a certificate saying so.)

And this has required the craziest kind of investment. Do you want to be a writer? Well, here is Book Street. How much are you going to invest?

How much time? I’ve written 8 novels and at least 80 short stories. That’s taken years. How much money have I made with my writing? $10. That’s less than a dollar per year.

(Thankfully, I like baked beans.)

Well, if you count the cost paper, ink, and postage, I think that $10. is, well, not going to cover it.

But I’m finally, FINALLY!!, going to have my first novel, The Blue Jar published. I am happy. Happy about this fact. Make no mistake. The feeling that I’m dragging my battered carcass over a finish line is nothing compared to the feeling of knowing I have reached that finish line.

Although, it isn’t a finish line, is it?

I’ve got all those other manuscripts, and more I want to write. And I’ll write even if they move the finish line across an ocean on fire and on the other side of a mountain of knives.

But it’s a lot to ask my family. Hey, sacrifice all this money and time on my dream! But else does a person say? Don’t mind me. I’ll give up my dream because you’re here.

No. Not going to do that.

There are no guarantees. No one can predict how a book will sell. My book could sell thousands of copies or next to none. All this work, time, and money and I could still be left with an unread book. And several never-going to be read books.

What kind of investment is the writing life and why do we do it?

I think Wall Street is too risky, and yet I do this.

Hope springs eternal. And foolishly. Gloriously.

“The point is that writing, for lack of a better occupation, is good. Writing is right, writing works. Writing clarifies, cuts through, and captures the essence of the evolutionary spirit. Writing, in all of its forms; writing for life, for money, for love, knowledge has marked the upward surge of mankind. And writing, you mark my words, will not only save my life, but that other malfunctioning part of me called my soul. Thank you very much.”*

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*Totally lifted from the Gordon Gekko speech in the movie Wall Street. (Though I’ve never actually seen the movie.)

Just Give Me My Poisoned Apple Already

I wouldn’t literally eat a poisoned apple, but metaphorically I think I already have.

The evil queen in disguise is my own psyche, and the apple is seeds of doubt fleshed out with insecurity, neurosis, and fear. Hard to believe anyone takes a bite of that.

How long has it been since an agent asked me to write a book jacket synopsis?

Feels like a hundred years. Unfortunately time hasn’t cleared my head or given me any good ideas. To explore another fairy tale, it’s more like the brambles around my thinking have grown thicker and stronger, and I’m going to need a helluva sword to cut through it all.

In this scenario, I’ve got to be my own prince. Good heavens, what part of my personality is that?

Throwing away an opportunity to get an agent because I can’t get myself to write that book jacket copy is about as dumb and passive as any Disney princess has ever been. I’ve written thousands upon thousands of words, and yet these few feel impossible. I start and start and start, and I get angrier and angrier with myself. Don’t I know better?

Mirror, mirror, on the wall,
who’s the best writer of them all?

The one who writes instead of worries.

What is my novel about?

A girl. And her best friend. One has been hurt and everyone knows. Well, almost everyone. The other has been hurt, but it’s a secret. …

That’s rubbish.

She accepts a ride from her best friend’s brother. She refuses to talk about what happened, but she’ll try anything to forget. …

No, no, no.

Two girls go into the woods at midnight for magic and revenge. …

Well, that’s silly.

Maybe this means my novel should be shut away in a drawer and forgotten.

Do I really want my dream to die because I can’t write one page of explaining my own novel? What is the worst thing that could happen if my writing fails? Well, whatever it is, worse things have happened. Life doesn’t depend on publication. I can keep writing anyway. That’s the main thing.

I look though at published novels and then I look at my own unpublished work… I’m reminded of a professor I had in grad school who said my work lacked a certain…coherence. Now, this was the head of the department who had also called me–in front of an entire class–an idiot, but this professor told me he liked my writing. He said it was original. I had unique ideas. That I looked at things from interesting angles. Honestly, I don’t know what he meant. But he also said that I seemed incapable of putting my work together in a sensible form. That my work suffered from incoherence.

Writing this synopsis/book jacket shouldn’t be this hard.

Now. Where’s my apple?

The Plague

I’m going to move into my house, set up my work space, and presto! Magic will happen.

I’ll finish all my art projects and start preparing for my next show.

I’ll finally know how to write that synopsis.

I’ll be brilliant.

I’ll get published.

Right?

This house business has pushed and shoved over so many things–including my rational thought.

I bet I can flail around as much in the house as I do in this apartment. Only I’ll have more bills.

All the advice I’ve been given by smart and helpful people, and still I dither and whine… Many brilliant and hard-working writers are waiting for attention. The publishing business isn’t going to miss me. It would have to know me to miss me…

Do you suffer from “if…then…” thinking? Or maybe “as soon as I…then I’ll…”

I have a plague of it over here.

Chronicles of Ink and Paper

One agent suggested my novel was young adult. This surprised me because I wasn’t trying to write a young adult novel. The main character is a teenager though. But I never thought I was writing for teens.

Writing for teens…that’s a minefield. Well, it can be. Adults are allowed to read anything without much of the world getting into a snit. Okay, that isn’t entirely true, but you know what I mean. Suddenly what had seemed tamed in my novel then seemed dangerous.

Which isn’t to say the agent was wrong. I just hadn’t seen my novel in that category, and if I need it to be in that category, how will I be expected to change it? And my other novels…will I be expected to be a young adult author?

This is rather putting the cart before the horse. (The printer before in the paper?) The agent who suggested this decided she couldn’t represent my work–too tough a sell in today’s climate.

The thing is though is that I am liberal when it comes to reading. My parents let me read anything I picked up. My grandmother had treated my mother the same way. If you could choose the book and stick with it, you could handle whatever was inside.

Of course, I never picked up anything extreme, like porn. Well, that’s not entirely true. My dad’s second wife had a magazine of stories hidden–sort of–under her pillow. My step-sister showed them to me. I was about 10 or 11. The magazine looked like Reader’s Digest. I read half a page and put it down. The story gave me quite a shock and I knew I didn’t want to (and shouldn’t) read those stories. So, I didn’t stick with it.

Nor did it cause me to rush out and find a boy.

Au contraire.

But anyway. Adults worry a lot about what young adults read. And they should know what kids read and they should know their kids. Obviously. We know this and have heard it before.

But it felt different when I thought about being the writer instead of the parent. Writing for adults is so much easier! Right?

Young people are better fans though. Don’t you think? Do you love any book now as much as you loved a book as a teen?

The Writer’s Map

My writing career is not going anywhere in as much as I’ve no books published and agents aren’t even walking down my street, much less knocking down my door to invite me out.

But of all the books written in the world, only a certain number can hit the shelves. Probably what I need to do is write a better novel.

Dozens of writing books and articles read and I still seem incapable of managing it.

I feel like I’m standing in the street staring at my house and I’ve been asked to draw a map from my house to a far away city I’ve never been to. And I can’t get up in the air to get an ariel view. All I’ve got to go on are a bunch of descriptions of all the towns between here and there.

What? Is this another writer whining? It’s easier than writing.

If whining were energy, we could power the world til the end of time. I’m not sure that would be better for the environment though.

Map! I don’t need no stinking map!

The Dreaded “A” Question

I hate the “A” question.

So, I read a blog post by my friend JES regarding the “A” word–as in What is your novel About?

An agent is currently looking at my first novel, and this “A” question is on my mind. My first novel is about a difficult subject…a conversation stopper subject.

Now let’s be clear. I didn’t begin the novel intending to write about dark and difficult things. I started writing about marbles.

I was with my writing group (which is now no more) and the writing prompt pulled out of the box was “marbles.” Okay. Well, I didn’t want to write about a game of marbles because that seemed too obvious and I don’t know anything about the game. The sound of marbles hitting a hard floor came to mind. This became the sound of marbles hitting wooden stairs.

Why would marbles be spilling down the stairs? Someone dumped them on the stairs. Hmm. Who? A girl. She comes to mind. She stands at the top of the stairs pouring marbles out of a blue jar.

Why would she do this? It would make a mess. Marbles would probably be lost. So they must not be her marbles.

So again–why would she do it? Oh, they are her brother’s marbles and she is angry at him. She wants him to know she is angry.

Why is she angry? He has done something wrong.

And he sees his marbles falling down the stairs, go in different directions, and he yells at her. He chases her. I see them in my mind and she is about 16 and he is about 5 years older…still living at home.

Because he can’t hold a job.

Because he’s an addict.

Because he does terrible things.

And he chases his sister into her room where she hides. He finds her, but she pulls out a knife she keeps hidden her boot to protect herself.

Why would she need a knife?

Because he is violent obviously.

What violent things has he done?

And before you know it (if ten years count as a before-you-know-it explanation), I’ve written a novel with drug addiction, incest, rape, and prostitution. (First chapter here.)

Hmm. What is your novel about?

Ummm…?

Well, the novel does have a reasonably happy ending. Does that help?

Usually when people ask the “A” question, I say something vague, “It’s about loyalty and friendship in difficult times.” Yes. I’m a chicken.

I have had a few agents reject the novel because of its subject matter. Which surprised me a bit because these are not new issues for fiction. Maybe if the novel were about a detective hunting down a serial rapist murderer instead.

Anyway, I don’t think of my novel as being about those dark subjects. Crazy as it sounds, i think of it as a novel about friendship–two girls saving their friendship.

All right. So I guess if I struggled to be honest about what my first novel is about, I’d have to say that it is about a girl whose brother raped her best friend, and perhaps it was a secret the girl had kept hidden from her best friend and everyone that allowed the rape to occur.

There. Said it.

Reading posts like this about women writers doesn’t make answering the “A” question any easier.

What is your novel about? Marbles.

I’m deluded and that’s okay. (I angst all night and I worry all day.)

On those American Idol tryouts you see those people who believe they can sing. They sing their best with all their dreams flung about for the world to see and then are told how awful they are. And they are awful. Perhaps you’ve laughed at their self-delusion. Perhaps you’ve cringed.

Actually, I’ve never watched the show, but I’ve seen enough clips over the years to get the idea.

Then I wonder if I’m the writerly version of those deluded contestants.

Rejection from agents and literary magazines doesn’t mean you can’t write–no more than a lover deciding not to marry you means you can’t find the right partner later. Maybe you just have to start asking the right people out. Or go into therapy. Or realize you really would make a terrible life partner.

Hey, life partnership isn’t for everyone. Why does it need to be?

There are the numbers. Pesky things. Number of books out there. Number of readers. Everyone can’t be a bestseller.

Hey, bestsellerdom isn’t for everyone.

If you’re willing to keep going in spite of the rejections and the critics, stop making fun of other deluded people. Just a thought.

So. Speaking of deluded people. I’m famous in a parallel universe. See for yourself. Click on the Time Vortex.