Is that the best you can do?

In high school I spent one year on the yearbook staff. I started the class really excited, and I ended the class hoping never to speak of it again. When my mother saw the section I’d worked on–the advertising section, which I hated but did work hard on–she said, “That doesn’t look very good. That’s the best you can do?”

Or maybe she said, “That’s terrible.”

It’s hard to remember exactly because what I remember best was the pain that went through my chest. My mother wasn’t a mother of false praise.

The ads weren’t good though. I’d struggled with designing the ads. My relationship with the teacher was a disaster since I realized I wasn’t pretty enough to warrant his attention.

Maybe that wasn’t the problem. But I knew the popular boys and girls invited him to their parties and that sometimes he went.

You probably don’t need to be told I wasn’t ever invited to these parties. But I didn’t want to go to their parties. I wanted my mother to tell me I’d done a great job, that I had talent, that I should be an artist when I grew up.

She said (and this I remember), “I wouldn’t show that work to anyone if I were you.”

Twenty-five years later and I still haven’t.

So, last night I sent my “final” draft of my novel to my publisher. (Final until I get edits backs, that is.) All I have to do is wait for her to read the rewrites and tell me what she thinks.

It’s funny how something said to you years ago can stay lodged in your brain for decades. I wouldn’t show that work to anyone.

And here’s me trying to send my novel out for the world to see. (Although, the world isn’t going to see it. A tiny group of friends and some random strangers.)

We’ll see how it goes.

Editing: The Mutant Virus Edition

If you want to be a published author, you have to edit your work. No matter the publishing path, editing is along the way.

Sometimes editing makes me feel like I know what I’m doing. Really. I see the problem. Take my pen to it. Look at the page and see all those marks, and hey, me, I’ve accomplished something. I can even flash that paper at someone and say, “Look what I did today!” It’s a bit like showing off my latest skate injury. It hurts, but I’m proud.

But editing (writing) isn’t always like that. Sometimes looking at my work makes me feel as if a flesh eating virus has wheedled, twisted, and hooked its way from my brow to my heart. I will have to wear a veil to hide the horror of it.

Yes, I like a bit of melodrama.

But a bit like the psychological drama of showing your face to the world if you know the world won’t want to see it…the world may not want to see my writing (I type here, showing the world my writing…). Maybe it would be best to veil the words. What is the point of showing one’s self to the world? Why do we want to do it?

No, I’m not going to cover up and hide. I am going to edit and all will be fine. I am a tiny speck of space dust and my book added to the planet won’t affect the earth’s gravitational pull or anything. But eventually it will make me happy. Happy-ish. The happy-ish speck of space dust.

Sounds like a comic strip.

So, when you edit your work, how do you feel?

Investaphobia

All my eggs in one basket?

No one in the history of the universe invests money in a company knowing they’re going to lose all said money. Oh, some people may invest in losers because they know how to actually get more money later–yeah, real estate nightmare, anyone–but the plan is to make money eventually.

People lose money of course. Plans go awry. Hopes are dashed. Dreams are deferred.

I don’t really understand any of it. I confess a deep suspicion that making money without actually making anything in return feels wrong. This sort of thinking gets me nowhere and I’ll probably be a hair’s breath from living in a box and eating beans out of a tin when I’m old. Well, I’ll draw pictures on my box, so there.

Anyway, I want to be a writer. I guess I am a writer? (How does one even know? It’s not like I got a certificate saying so.)

And this has required the craziest kind of investment. Do you want to be a writer? Well, here is Book Street. How much are you going to invest?

How much time? I’ve written 8 novels and at least 80 short stories. That’s taken years. How much money have I made with my writing? $10. That’s less than a dollar per year.

(Thankfully, I like baked beans.)

Well, if you count the cost paper, ink, and postage, I think that $10. is, well, not going to cover it.

But I’m finally, FINALLY!!, going to have my first novel, The Blue Jar published. I am happy. Happy about this fact. Make no mistake. The feeling that I’m dragging my battered carcass over a finish line is nothing compared to the feeling of knowing I have reached that finish line.

Although, it isn’t a finish line, is it?

I’ve got all those other manuscripts, and more I want to write. And I’ll write even if they move the finish line across an ocean on fire and on the other side of a mountain of knives.

But it’s a lot to ask my family. Hey, sacrifice all this money and time on my dream! But else does a person say? Don’t mind me. I’ll give up my dream because you’re here.

No. Not going to do that.

There are no guarantees. No one can predict how a book will sell. My book could sell thousands of copies or next to none. All this work, time, and money and I could still be left with an unread book. And several never-going to be read books.

What kind of investment is the writing life and why do we do it?

I think Wall Street is too risky, and yet I do this.

Hope springs eternal. And foolishly. Gloriously.

“The point is that writing, for lack of a better occupation, is good. Writing is right, writing works. Writing clarifies, cuts through, and captures the essence of the evolutionary spirit. Writing, in all of its forms; writing for life, for money, for love, knowledge has marked the upward surge of mankind. And writing, you mark my words, will not only save my life, but that other malfunctioning part of me called my soul. Thank you very much.”*

*

*

*Totally lifted from the Gordon Gekko speech in the movie Wall Street. (Though I’ve never actually seen the movie.)

The Feminine in the Sky

A smart and talented woman I know wrote this book: The Coming of the Feminine Christ. (Which due to some technical difficulties, I’ve had to unlink to.)

at a church in London

This is not a review; I haven’t read the book yet. And this is not about your religion; I don’t need to know (and let’s not ruin a lovely relationship).

When I was a kid, my mother had a black tee-shirt that read in white script, “God is coming, and she is pissed.” My mother wore this in the 70s in our small hometown.

If she got any grief for it, she never said. (She was used to grief from people anyway.)

But my eight-year-old mind was stunned by that pronoun. She.

Not long after that I found a button in the bowling alley parking lot. It had been run over, but I could still read it. “A woman’s place is every place.” I pinned that button to my purse–my purse that held red rocks and barbies.

Sometimes I ask writing students to imagine how their lives would be different if they’d been born the opposite sex. My female students rarely have trouble with this. <My male students generally look horrified, make a joke about not being gay, and write either they'd go shopping and get married or that their lives wouldn't be different at all.

Sometimes I ask writing students to imagine a favorite character in fiction–and switch that character's gender. What if Harry Potter were Harriet? What if Batman were a woman–and I don't mean Batgirl. What if in Titanic you gave Leo Kate’s role and gave Kate Leo’s? What if James Bond were a woman?

(I’ve also asked them to change a famous character’s race or religion. Once I asked the students to imagine Edward from Twilight as Muslim…oh the expressions.)

Niamh Clune‘s book is not a game or a simple writing exercise. The book expresses a profound belief and way of seeing the world.

What are books about but seeing the world in a new way? (My mother used to say, “If you’re strong in your beliefs, you can always handle encountering someone else’s.”)

I’m looking forward to reading Niamh’s book. Maybe you would too.

*

And for folks on Facebook, there is this.

Navigating New Seas

part of a commissioned piece

In case you have somehow escaped me telling you, I have found a publisher.

This press is small and new and in the UK. Since it was a UK literary journal that published my first short story and the BBC is my favorite channel, a British publisher makes sense really. Don’t you think?

The name of the press is Plum Tree Books.

And no, they aren’t one of the Big Six, but I was never going to find a home with them. This press has enthusiasm and vision for my writing, and I feel as if I will be taken care of, not forgotten and sent straight to remainders.

But this is a new world–being able to say I’ve a publisher. Feels impossible to say.

So, I’ve started a facebook author page, and am figuring out what’s next–oh, yeah. EDITS.

I don’t know what will happen (who does), but I’m glad to travel different waters. Thank you to everyone who’s still with me.

*

P.S. On a side note, I’ve started an online series–The Princess Detective. (For the reader who likes stories of princesses pursuing danger.)

Chronicles of Ink and Paper

One agent suggested my novel was young adult. This surprised me because I wasn’t trying to write a young adult novel. The main character is a teenager though. But I never thought I was writing for teens.

Writing for teens…that’s a minefield. Well, it can be. Adults are allowed to read anything without much of the world getting into a snit. Okay, that isn’t entirely true, but you know what I mean. Suddenly what had seemed tamed in my novel then seemed dangerous.

Which isn’t to say the agent was wrong. I just hadn’t seen my novel in that category, and if I need it to be in that category, how will I be expected to change it? And my other novels…will I be expected to be a young adult author?

This is rather putting the cart before the horse. (The printer before in the paper?) The agent who suggested this decided she couldn’t represent my work–too tough a sell in today’s climate.

The thing is though is that I am liberal when it comes to reading. My parents let me read anything I picked up. My grandmother had treated my mother the same way. If you could choose the book and stick with it, you could handle whatever was inside.

Of course, I never picked up anything extreme, like porn. Well, that’s not entirely true. My dad’s second wife had a magazine of stories hidden–sort of–under her pillow. My step-sister showed them to me. I was about 10 or 11. The magazine looked like Reader’s Digest. I read half a page and put it down. The story gave me quite a shock and I knew I didn’t want to (and shouldn’t) read those stories. So, I didn’t stick with it.

Nor did it cause me to rush out and find a boy.

Au contraire.

But anyway. Adults worry a lot about what young adults read. And they should know what kids read and they should know their kids. Obviously. We know this and have heard it before.

But it felt different when I thought about being the writer instead of the parent. Writing for adults is so much easier! Right?

Young people are better fans though. Don’t you think? Do you love any book now as much as you loved a book as a teen?

Maybe a Temper Tantrum

Sometimes I may begrudge every other published writer everything.

You know, in moments of personality collapse. Meaning, those moments when I’m not the great and fantabulist soul I want to be. (Yes. Fantabulist.) Those moments when I’m resistant, cranky, jealous, and generally not nice.

(All you saints out there can begin throwing stones at any time.)

Talk about publishing makes me cranky. Traditional publishing, e-publishing, indie publishing, self-publishing, publishing in the cogs of the machine, publishing with the rebels, publishing with the I-know-more-than-you-and-you’re-an-idiot crowd, publishing at all is getting on my nerves. As if the effort to write, the constant rejection, the sleep-deprived state of trying to do everything weren’t enough, now I can be hassled absolutely every choice I make.

Well, these articles are not directed at me personally. There isn’t much use in getting into a snit.

No maybe about it though. This is my temper tantrum. And you may want to leave the room.

No. I don’t clean house enough. I don’t volunteer or participate in my kid’s school enough, I don’t eat well enough, I don’t exercise enough, I don’t manage money well enough, I don’t call my friends enough, I don’t keep up with the news enough, I don’t help others enough, I don’t understand enough, I don’t write well enough…

It sure is exhausting not being enough.

I’ve read many interesting and persuasive articles about what is wrong with publishing today and the speed with it the publishing world is changing. I wish I were 20 just so it wouldn’t seem exhausting.

I really wish I could see a self-published (e-published, indie published, whatev) book with a cover I liked. That would help. Seriously. If you know of any great ones, please post a link in the comments. I don’t mean okay or that’s nice ones. I want one that makes me eyes happy.

Of course, what I really want is to be a good writer.

Do I believe that I could self-publish my novels as they are right now and have readers and make money?

No.

This is either because I’m just remarkably honest or markedly insecure. Or crazy. Or hoping for the perfect encouragement.

Of course, I post short stories on my fiction blog (number 13 for today!) and that is self-publishing. And I don’t think my stories are all great. I’m happy with a few of them, but, they are flawed. So. What is the difference between that, and self-publishing a novel?

Don’t know. Doesn’t make sense to me.

But this is my temper tantrum.

Maybe this short-story-a-day thing is taking its toll.

On the other hand, while throwing my temper tantrum here, I got a nice message about my writing from a very nice person who doesn’t know half of how neurotic I can be.

Ah, nice things and flattery. I’m a sucker for them.

And in a little while I’ll stop tantruming, get up, and make my choices.

What about you? Thrown any good temper tantrums lately? Hissy fits? Explosions?

Feel better?

Hey Blog, You’ll Never Publish in this Industry Again.

art for the lid of a box--the box I think in

Rejection hurts. Sure. No surprise there. But rejection doesn’t annoy me.

People throwing their cigarette butts on the ground annoy me.

Students who don’t do any work and then insist on moving up to the next level annoy me.

Absurd rules annoy me.

And publishing is filled with absurd rules.

I understand rules of politeness. Spell the agent’s name correctly. I get tired of people spelling my name wrong, and hey, if you want something from someone, take the time to get the name right.

I understand following guidelines and taking time to proof read my work before sending it in. I understand using active voice and point of view. Yeah. Yeah. Yeah.

Here’s a rule I don’t understand–the we don’t accept work that has been published on your blog. Publishing anything on my fiction blog is the equivalent of printing a hard copy of my story out and sharing it with my friends–because near as I can tell only my friends read it. Isn’t that the case with most people? How is having anything on my blog going to hurt their sales? My friends are going to support me anyway. Either they will buy a copy of what I’m printed in to show their support (in which case, increasing sales) or they won’t buy it because they weren’t going to buy it anyway.

So, if I want certain journals to accept my work I have to keep my work to myself until they decide to publish it–which is, as we all know, unlikely.

And if you self-publish your book, they say you can’t submit it to an agent. Damaged goods, so to speak. But then again we can all find examples of self-published worked that did well enough for a traditional publisher to snap up anyway. And it seems that if someone who is established–let’s say, Neil Gaiman (who I love by the way)–asked a literary journal to publish something that he’d posted on his blog, would they turn him down? Sorry, Neil. You posted it on your blog.

If posting something on a blog counts as published, seems to me it ought to count as a publishing credit, which it doesn’t because that would lead to publishing credit chaos.

Why should a journal care about my blog when I can’t even get most of my friends to care?

I understand the many rules of the traditional publications. They have every right to make their rules as they see fit, but sometimes when I’m reading those rules I feel they punish those who seek to express themselves off the traditional pathway.

If you could explain this don’t-publish-on-your-blog rule to me, that would be great.

Please forgive this impersonal blog entry. Your comments, however, will be accepted.

These are a few of the rejections I’ve received over the years. A few were addressed to me, though many were addressed to Dear Author.

Due to the current status of the publishing industry–and the selectivity that the market now demands, we regret that we cannot consider your material at this time.

I can’t decide if they both didn’t like it, or just the senior agent.

Thank you for sending us the full manuscript of your novel as we requested. Two of us have now had the chance to read it, and we found the subject matter both compelling and relevant, as well as incredibly moving.

Ultimately, however, —– did not feel strongly enough about the writing to agree to represent this book with the greatest possible enthusiasm. Hers is only one opinion, of course, and we both wish you the best of luck in finding the right agent to represent your work.

This one sounded the harshest to me.

Please accept my apology for this form response, but the volume of mail received in my office makes a personal reply impossible.

I have reviewed your material and it is not anything I wish to work with at this time. Thank you for the submission and I wish you the best of luck with other agents.

What makes a person enthusiastic?

Thank you for your submission. Unfortunately, I was not sufficiently enthusiastic to feel I’d be the right agent for your work. In addition, I’m taking on very few new clients so I must turn down a lot of good submissions.

Aren’t impersonal rejections easier than personal ones?

Please forgive this impersonal note regarding your query, which we have considered but must decline. As we receive a tremendous number of queries, we are unable to respond to each submission individually, but we thank you for the opportunity to review your work.

We encourage you to keep writing and to try other agents.

Who does connect to my writing? Enough people to sell a book?

Thank you for sending the requested materials for our consideration and for your patience while I spent far too long considering it.

It is clear you have devoted a lot of time and effort to your novel, and you have every reason to be proud of the result. …..is not a simple subject to write about, but your work was very well done and certainly intriguing. I’m afraid though that I couldn’t connect with your writing enough to justify taking this on and submitting it into a market that seems to grow more and more difficult to enter.

As such we are passing, but thanks again for the opportunity and I wish you all the best of luck in placing your work elsewhere and in your future as a writer.

Well, it is good they are dedicated to the clients they have. Some agents aren’t.

Thank you for your letter regarding representation. Unfortunately, we’re taking on very few new projects at the moment due to an already full load with present clients and are not able to ask to see your manuscript.

This one was one of the most disappointing.

I so apologize for my delay in getting back to you. We were cleaning out the office and came upon your query for —. And while this certainly sounds like an original premise for a novel, I can see from my extraordinary delay that I’m simply too overwhelmed with work lately to be able to responsibly agree to take this on. I thank you for thinking of me here, though, and have no doubt that you’ve found other representation by now. I do wish you the very best of luck with this work.

Again, I’m sorry for my inexcusably slow response.

This was the rare hand-written note.

Thank you for thinking of me, Marta, but unfortunately the novel you describe doesn’t sound like what I’m currently looking for, so I’m going to pass. Good luck elsewhere.

Elsewhere is beginning to sound like a magical land.

I’m suspect (and does this make me naive or pretentious?) that my work is too quirky (or perhaps woo-woo!) for a mass audience. So what would any agent do? (WWAAD–I can see the plastic bracelet now.)

Dear Author,

Dear Author:

Thank you for your submission. It was kind of you to think of us, but we are sorry we are unable to offer to see more of your work.

We thank you for the opportunity to consider your materials and we wish you the best of luck elsewhere.

Sincerely,

—-Inc.

I’ve been in a snit trying to find my Microsoft Word disk, tearing apart my work space, and finding scads of unfinished projects, failed projects, materials for imagined projects… and what I finish, isn’t enough.

My novel went to a literary agency and all I got was this lousy rejection.