Between a Shrug and a Radio Interview

A while I wrote about my health. Talking about my health makes me feel that much older. Does that make sense?

Anyway. The updates–for those of you aging along with me–are as follows:

The incision from surgery is still healing. 92% closed according to the computer. Fancy stuff computers tell us these days. Imagine what they’re going to know in 100 years.

I still don’t have any verdict on my heart condition, but the echo is scheduled for this week. The best thing about echocardiograms is that they don’t require any puncturing. Echocardiogram…sounds like an instagram from your heart that keeps repeating itself.

The oncologist thinks cancer is also in the other breast. So, things should get more interesting.

This morning a nurse told me how she had a bilateral mastectomy and felt just fine. Two pain pills and she was ready to go on with life. Ten minutes later I’m in my car listening to a woman on the radio talk about the debilitating pain of her mastectomy. So…somewhere between a shrug and worthy of a radio interview…

Hope your health is treating you well.

Keep writing.

More Bloody Days and Other Craziness

trying to relax this way

trying to relax this way

Here is what I know today.

First, I need wound care. This surgical incision–still bleeding after two weeks–isn’t healing properly. I’m looking forward to getting that out of the way.

After this wound clears up, my future holds a few more medical adventures.

I’ll be tested for Marfan Syndrome. I’ve been suspected before of having this, but now I’ll be properly tested. My mother died at 45 of an aortic aneurysm, and I’m 44. So. Seems I should have my heart checked. If I do test positive, my son will have to be tested as well. That’s the most worrisome thing of this whole mess. And we will both have a lifetime of echocardiograms.

And I’ve got this stage one invasive cancer that apparently is fairly common in women over 60. Women my age aren’t supposed to have it. Because of my, ahem, unusually dense breasts, regular mammograms won’t detect future cancerous growths. I’ve got a lot of MRIs to add to this lifetime.

More immediately, I’ll be having five to six weeks of daily radiation. I’m sure some of you out there have experienced that. I’ll find out what that’s like.

With luck and penny-pinching, we’ll be able to afford all this.

On one of the medical forms I filled out this morning, there was a question about my activities. I wrote that I taught and that I wrote. The oncologist asked me what I wrote. I told her I had a novel coming out this year. She asked me a bit about it and said congratulations. A little while later, she was speaking about my case in a dictaphone type thing, and she said, “The patient is a teacher and a novelist.”

My heart did a little squee. The oncologist said I’m a novelist!

It must be true.

Funny how so many of us–maybe not you though–need to hear someone else say it to make it feel true.

The Magic of Numbers

two trees & rabbit 2

Numbers are magical. Well, they can be. Numbers go on forever. We need fractions and percentages and formulas. As much as you may hate math, numbers are everywhere. They allow the Internet to work. They make sure you take enough medicine to help you but not kill you.

Then there are those numbers people believe have magical powers. Birthdays and lucky numbers and dates for the apocalypse. Do you believe in numbers like these? Do you take note when the clock says 11:11? Did you feel something significant should’ve happened on 12-12-12?

A new year arrives and what do you do? Write a list of resolutions? Eat black-eyed peas? Kiss someone at midnight?

I’ll be 45 this year. My mother died when she was 45. It’s hard not to give that number weight, especially when I just scheduled an appointment with a surgeon to make sure I don’t actually have breast cancer. My mother didn’t die of cancer though. She had an aneurysm.

But if I give power to lucky numbers, it seems I’d have to give power to the number 45. I don’t want to do that. Would you?

Happy New Year. May the numbers align like stars and bring you luck.

The Questions

My son found the CNN page with profiles and photos of the victims in Newtown. He read every single one, and several he went back to. One little girl, for some reason, struck him more than the others.

An hour later he told me he was thinking about that particular girl a lot. I asked him why he thought that was. He wasn’t sure, but he said, “She seems so alive.” It was her photograph that made her seem that way.

My son is 9, by the way.

He’s had a lot of questions. Many you probably expect.

“Why did he do that to little kids?”
“Why did he hurt his mother?”
“What were the kids doing in class when he got there?”
“What do you think they were thinking when it happened?”
“Do you think any kids were absent that day?”
“One of the teachers killed was a substitute. How do you think the regular teacher feels cause she wasn’t there?”
“How did the parents feel when they were told?”
“I think if he came to my school, my classroom is too far away from the front door. He wouldn’t have time to get to our room. Don’t you think?”

Granted, he didn’t ask them in any rapid fire way. Just every so often as they occurred to him and as we talked about the shooting.

I still remember when I was a kid and heard about the shooting in a San Ysidro McDonald’s. For years and years after that, I never went into a place without checking the exits and possible hiding places. Just in case. Sometimes I still check for these things.

What news event do you remember from your childhood? Any story from the news ever have any lasting effects?

Presents and Ungiven Things

My mind keeps coming around to the Christmas presents. Many parents have bought presents for their children and hidden them away somewhere in the house. Maybe these presents are already wrapped. Maybe not.

It’s hard to think of the parents who will, eventually, take those presents from their hiding places but who will no longer have their child.

Why is it dark in here?

my art + photoshop elements

Recently I joked, “I could’ve written a light comedy.” And my husband replied, “I don’t think you have light comedy in you.”

A friend said, “It’s odd because you’re a funny person.”

Hey, I didn’t set out to write a dark, emotional novel. I started with an image and went from there. But I don’t sit down with an agenda. I always start with an image.

The novel that is to be published this winter began with the sound of marbles hitting a wood floor. Just that. No characters. No plot. But I asked, why would the marbles be spilled on the ground like that? And all these words later there is a tale of abuse and violence and survival and friendship.

Another novel started with an image I’ve had since childhood–a girl with a paintbrush that can change whatever she wants. That became a story of murder and jealousy.

And another novel started with the image of a young man who loses the ability to sleep–which is about jealousy too, and secrets, curses, and death.

And another with a young woman putting on red lipstick–which became a story about falling in love with the wrong person and going through hell for them.

But for all I know I could write a comedy. You never know.

As I edit my novel, I’m having to think about some of the things I’ve put a character through, and I think, she may be too damaged to come out all right in the end. Then again, I know people in the real world who’ve been through very real hell, and on the surface anyway, they seem to be doing fine. It’s hard to know though, isn’t it?

You have to find a way to do justice to a character’s suffering. I don’t mean that the bad guy will end up in jail or realize the error of his ways. If you put a character through trauma, that character can’t just shrug it off and be fine.

Something JK Rowling said recently about how Harry Potter would function after all he’d been through–not very well. Don’t you imagine he suffers from bad dreams that wake Ginny up in the middle of the night? Or that sometimes he’s a morose and remote father–loving, and generally good, but a man who needs time alone to brood. Wouldn’t his children sense his sadness at all his losses?

JK Rowling doesn’t put that in the books, but she doesn’t make it an impossibility either.

My character is going through a dark time, and I’m not sure how she’s going to be.

I’m not sure what it is about me that compels me to write stories of loss and trauma, and I can’t afford the therapy to find out.

You? Are your stories mostly happy? Sad? Funny? Why is that do you think?

Kill the Ones They Love

a different end for the 9th Doctor

Fans are a mixed blessing. I’ve been reading about True Fans and I’ve been reading commentary by the fans of Harry Potter, Doctor Who, and Torchwood. And it seems there’s a lesson in there about Fan Rage.

Fan Rage may be more prevalent in sci-fi and fantasy genres sicne they’re the genres in which fans dress up as characters–truly inhabiting that character and walking public streets in the character’s clothes and attitude. So the writer who kills off that character may never be forgiven.

Now, Sir Arthur Conan Doyle got sick of Holmes and killed him off–only to have to bring him back to life to satisfy Fan Demand. But I’m not really talking about writers who come to hate their creation and commit murder to liberate themselves. That’s another issue.

No. I mean writers who create a story, see what has to happen to follow their vision of the story, and killing characters accordingly. J.K. Rowling kills off loved characters. Russell T. Davies killed off more than one beloved Torchwood character–and he is still getting grief for it.

Some fans refuse to watch Doctor Who because Rose Tyler was no longer the companion or because David Tennant regenerated into Matt Smith or because Russell T Davies left the show to Steven Moffat. For some fans it isn’t a matter of they just don’t like the show anymore. The vitriol spewed at Davies for killing certain Torchwood characters is amazing. They talk about Davies as if he roams cities to suck the blood of pretty children. They haven’t even seen anything past the death of “their” character because they are so angry.

And Davies wasn’t trying to get rid of anyone. He believed that the death of this or that character made for a stronger story. Fan Rage seems to prove him right, doesn’t it? Who wants to kill off a character and get a big blah, “meh.”

But these fans won’t watch his show anymore.

Are they True Fans? Do True Fans stick by you no matter what? Or do they kidnap your imagination? How beholden are you to fans who love, LOVE, a character?

Or forget characters. Think of stories. How many writers (singers, actors, artists) begin in one genre, change genre, and then must suffer the outrage? How dare you?

Oh well.

Over at The Imaginary Lake I’ve posted a few first chapters of the different novels I’ve written over the years. Some stories I’ve written have magic–I’ll call it magic though I’m not sure that is the word I really want–and some a straightforward stories without one drop of hocus-pocus. One story is a dragon and quest adventure. Another is a dark emotional magical tangle.

Not sure what fans–should I have some expect–but all readers are most appreciated.

Have you ever been angry at a writer for changing their style or killing a favorite character? Did you ever get over it?

Women Are Awesome. How about if We Stop Murdering Them?

I don’t remember when I started to care about women. (And I’m not going to say women’s issues because it’s not a self-contained status sort of thing. We’re half the population—-nothing special interest about that.)

In grad school I complained about a professor who told the class his favorite bar was called “The Silent Woman” and out front it had a picture of a woman with her head chopped off. I was told he had tenure and to go away.

In college I complained about a physics professor who said, “You ladies with your pressure cookers will understand this…” I was given extra points on my grade and told to go away.

In 10th grade a male classmate who sat next to me in the computer class told me repeatedly how he was going to find out where I lived, force his way in, and show me how he was “a real man.” I complained to the office. They told me to avoid him and try not to provoke him. (Even by sexist standards, I failed to understand this. I was a flat-chested, make-up-less bookworm. Short of not existing, I didn’t see how I wasn’t going to provoke him.)

In 7th grade I was sent to the office for slapping a boy. He had me pinned to a wall and was about to punch me. He wasn’t sent to the office. I didn’t get into trouble because, as the guidance counselor said, everyone knew I was “really a nice girl.”

In 5th grade I had a button on my person that read, “A woman’s place is every place.” I’d found the button in a bowling alley parking lot. I think it had already been run over. But I pinned it to my purse.

In 3rd grade I complained to teachers about a boy because, “He shouldn’t be talking to girls that way.” He had looked up my skirt and asked me to kiss him. I kicked him really hard. I was told to play nice. He got in no trouble at all.

And those are only the moments I’m going to share.

Lately, I’ve been reading a lot of about violence against women around the world and in school shootings. And today I read a piece riffing on the famous quote, “Well-behaved women seldom make history”.

And another piece about having The Right Reader.

It’s funny how everyone agrees with the saying, “You can’t please everyone,” until they’re the one not pleased.

Recently a male facebook friend made disparaging comments about the Duchess of Cornwall–Camilla Parker Bowles. His main complaint wasn’t that Charles had cheated on his wife. Sure that was bad. But the bigger sin was to cheat on his wife with someone ugly, and he hoped the if William ever cheated on Kate, it would be with someone pretty.

I am insecure about my looks, and I had to ask my friend if he really thought that women judge unattractive were underserving of loving relationships. Really? Honestly, while I think Charles is a cad, I reluctantly admire his ability to devote himself to a woman whose looks are constantly insulted in the media. Here is a man who ignored his pretty, young wife for an older, dowdy woman. How cliche breaking is that?

In most places a woman is only as valuable as she is pretty. And virtuous.

I think one reason I had trouble killing a character in a short story recently was because that character was a teenage girl. Before her death, she had not been virtuous… Gosh, now I’m rethinking the ending again. Don’t we have enough violence against women and girls? Then again, because it happens, shouldn’t we write about it?

So, I realize that my “right reader” would be someone who cares about women too.

Do you ever consider how your characters reflect the culture or an issue that matters to you? And I don’t mean being didactic about it. Just, do you consider such things?

Kill Them All!

Gypsy Witch Fortune Telling Cards

I’ve just killed someone. Well, a fictional someone. A fictional character that I quite liked.

She was young. And sympathetic. I wanted her to live, but that seemed…so unlikely. I’ve killed characters before…this one just bothered me more than usual.

Maybe I’ve watched too much of Stranger than Fiction.

Am I killing a character because it makes sense or for shock value or to end the story when I can’t think of anything else?

How do you know?

How many characters have you killed? Do you ever bad about it?

Maybe You Won’t Laugh

I may be joking.

Interviewer: In your Antologia Personal…

Borges: Look here, I want to say that that book is full of misprints. My eyesight is very dim, and the proofreading had to be done by somebody else.

Interviewer: I see, biut those are only minor errors, aren’t they?

Borges: Yes, I know, but they creep in, and they worry the writer, not the reader. The reader accepts things, no? Even the starkest nonsense.

Interviewer: What was your principal of selection in that book?

Borges: My principle of selection was simply that I felt the stuff was better than what I left out. Of course, if I had been cleverer, I would have insisted on leaving out those stories, and then after my death someone would have found out that what had been left out was really good. That would have been a cleverer thing to do, no? I mean, to publish all the weak stuff, then to let somebody find out that I had left out the real things.

Interviewer: You like your jokes very much, don’t you?

Borges: Yes, I do, yes.

The Paris Review Interview with Jorge Luis Borges made me wish I could meet the man for coffee. I appreciated the end of this exchange because I’m often in trouble for laughing at my own jokes. I don’t joke much here…it’s a blog and…hmmm. Why is that?

Anyway, you could take his joke a bit further. Publish nothing at all and when you’re dead, let the world sort out your brilliance later. Ha, World! And now I’m dead and you can’t ask me on Oprah.

Joke is on me though since Oprah is quitting Oprah.

And the end of the world is coming. Do they read books in heaven? What books do they read in heaven? Can you write books up there?

Is it heaven if you can’t take your OCD with you?

Well, another day of blog every day, and I’ve blogged. My success of the day.

And I wrote story 20.