almost brave enough

I composed a post in my head. Revised it. Considered pictures to go with it. Then chickened out. That’s the thing with writing–it is so easy to chicken out. Shake my head. Feel the knots pulling in my stomach. No reason to go there. It’s probably a big deal only to me.

Why embarrass myself twice? Haven’t I said enough?

Is there something you almost write and then don’t? When it comes to writing, what scene won’t you write? What scene stops your pen or keystrokes? Would it be worth getting it down? Why should you? Why should I?

12-Foot-Tall Fighting Amazon

nighthosting

We dispatched the 12-foot Amazon with a spear.

They thought she was dead, but it was her most common trick. She waited until they turned their backs, pulled the spear from her chest, and sent it right back, going through one head and then the next.

In college I worked as a nighthost. This meant sitting at a table in the lobby from 11:30 pm until 3 am. or from 3 am until 7 am. I checked IDs, had the guys sign in their guests, and watched out for smuggled alcohol. I worked in the fraternity dorm. Six fraternities lived in the building and I was the only woman who worked the night shift.

My fellow nighthosts and I had to keep a log of things that happened during our shift. Most of the time nothing happened. So one of the guys, started making things up. The guy who worked after him, added to the story. It didn’t take long for the story to turn into a bloody adventure tale pitting the guys against me–and I became the giant amazon.

I opened the log and saw the lines packed with details of how they had to rid the world of this monstrous amazon named Marta. I wrote back. The amazon had amazing powers of survival and she hunted each guy down and slaughtered him in one gory fashion or another.

The stories went back in forth. The daytime receptionists began reading them. The guys’ friends began reading them. Our boss read them.

“Don’t they bother you?” someone asked.

“No,” I said. “The stories are funny, and I kill the guys too.”

“You’re a good sport.”

I got called that a lot. The guys who wrote the stories called me that. “Thanks for being such a good sport.” “We like you. You’re such a good sport!”

The other day my friend JES said something about being a likable guy–which he noted doesn’t help during the submission process. Absolutely. I’ve been a good sport, polite, nice, and other bland but pleasant words. Too bad I can’t get published for having a pleasant personality. Editors don’t like me or dislike me. The story must speak for itself. Plenty of jerks get published because their writing works.

(Though I’ve never understood how writers who create thoughtful characters end up treating real people badly. But oh well.)

It scares me to have my writing stand up for itself without me alongside it to give it a gracious, friendly introduction. Do you ever think that if you could just chat with an agent or editor for a while, it would help get your stories through? What is it about you that ought to make an agent/editor accept you–if they only knew!

She’s no child of mine.

Communist sculpture...hurray for the mother country...

“She’s not my real daughter,” the woman said. “She’s adopted.”

“Oh,” I said. “Well, sure.” I didn’t know what to say. Her adopted daughter had gone into the clinic and the woman had come over to chat. That’s what I thought. I thought that since she’d driven this adopted child of hers to the clinic and that since she has so far been polite (“Nice to meet you.” “How are you?”), that she understood why B. and I were there in our well-worn escort jerseys.

“Adopted,” the woman said again. “Not my flesh and blood. I thought you should know that.”

What was it like, I wondered, to have the woman who adopted you, insist on telling strangers, making it clear that you are not really hers. “They do adoptions here too,” I said, wanting to find something to connect with.

“This.” She waved at the clinic doors. “This is what she wants to do.”

B. and I exchanged looks, but she was talking to me, not to him. “Well,” I said, “at least she has a safe place to go.”

“I’m Christian,” she began. She went on from there about why she was right and I was bad. I nodded and nodded and nodded, and all I could think about was the girl who was adopted who was not choosing adoption. The girl must have known her so-called mother was out there telling me and B. (the 86-year-old retired librarian) her numerous sins and reminding everyone she wasn’t really hers and that the baby wouldn’t've been her real grandchild anyway. I dug my fingernail into the edge of my styrofoam coffee cup. I wanted to say, “Go inside and give your daughter a hug. You chose her. Go help her. Things could be different.” Of course, I also wanted to say, “Please, shut up.”

But I didn’t. I nodded.

The woman ranted. Hectored. Lectured. Finally, she sat down on the low wall along the walkway and was quiet. She never went in. And when her adopted daughter came out, they said nothing to each other. They went to the car. B. looked at me. “I wouldn’t want to be in that car,” he said.

Sending a story into the world isn’t on par with sending a person. You will not hear me compare writing a story to having a child. Writing has never ended with blood, vomit, stitches, and the inability to stand up without pain for months. Writing I want to do again and again.

But I write something, I send it into the world, and the story is mine. I’m responsible for it. I can’t blame my high school English teacher or my parents or even my lack of sleep. (I’ll blame typos on the sleep.) You can’t accept the credit for successful stories if you can’t accept the blame for failed ones.

But each story is mine and I love all my stories. Call me crazy, but I can’t give up on any one of them. I won’t go so far as to say they’re like my children. Or like adopted children. But they’re mine and I’m glad I wrote them no matter how awful they are.

How do you feel about your stories? Do you love them? Hate them? Feel bored by them? Do you give up on any of them or stick with them even when they disappoint?

Things You Shouldn’t Write About

hiding in the Peace Corps

“Nazi! Slave owner! Child molester!” the man shouted into his bullhorn. He stood on the sidewalk. He wasn’t allowed to come any closer. The man knelt beside his daughter, about 6 years old. “See that lady over there? She kills babies!”

I sipped my coffee. I looked over at B. “I saw the movie Amelie last week.”

B. nodded to the group on the sidewalk. “Isn’t that French? Don’t tell them that.” B. is an 86-year-old man.

I gave a small laugh.

“Killing babies isn’t funny!” the man shouted.

B. and I both sighed. We talked more about movies. We tried to ignore the man who took photographs of every license plate in the parking lot. A car pulled up. No one got out. B. stood up and waved. He wore his blue jersey that read escort across the front and back. We would joke the jerseys let the others know who to shoot.

A young woman and her mother got out of the car. They said hello and walked inside. The woman in charge of adoptions also walked by. She got baby killer too. They called her that every time. “I try to tell them I’m in charge of adoptions,” she said. “They don’t listen.”

Another girl arrived. She marched over to the group (all men except for the little girl) and yelled at them. When she came back, she stopped where we sat on lawn chairs. “Don’t you get mad at them?”

B. and I shrug. “They’re entitled to their view of things,” he said.

“I don’t think it helps,” I said.

Sometimes a boyfriend or husband would go over to them and shout, too. A few times, a woman would go over there, take their reading material, talk quietly, and then go into the clinic anyway. Once in a rare while, the woman would turn and leave. About half of the woman told us their stories.

The group on the street consisted of a few middle-aged white men. Sometimes a pretty blond showed up to give fliers to people who opened their car windows. And sometimes a few Catholic women stood across the street, held Rosaries, and prayed. One of the men had never married and never had a girlfriend. That’s what he told people who asked. Otherwise, he never said much, and he never shouted. For one Saturday a month for almost four years I stood in front of that clinic and I never heard his voice. He was there no matter the weather from 6:30 in the morning to 2 in the afternoon. The other men never said anything as much as they shouted. Nor did they come as often.

A nurse came out of the clinic. She walked over to the man with the bullhorn. She asked him to keep his children from climbing the stone wall around the sign. The stones weren’t stable. The children could fall and hurt themselves. The man put the bullhorn to her face. “You’re baby killer! You can’t tell me how to raise my children.”

The nurse looked up at the sky. Then back at the man. “Sir. That wall isn’t stable enough to climb on. That’s all I’m saying. The children could fall.”

“Look at her, children!” the man said. “Don’t listen to her. She likes to kill babies.” His children–the little girl and two boys–run away screaming.

“Also,” the nurse said. “This wall is on our property. If you don’t keep the children from the wall, I will call the police and have you removed for trespassing.”

The nurse then came over to us and asked if we’d like more coffee. When she went inside, the man called B. and me Nazis.

Standing in front of the woman’s clinic was scary. Telling people I stood there is scary. You can’t know who is going to stand there quietly and disagree or start shouting and who-knows-what.

But for all the hate, bile, and threats dumped on B. (a retried librarian) and me while we shared stories, drank coffee, and ignored the shouting, sharing my writing is scarier.

How stupid is that?

The odds of being shot while sitting at my laptop now are remote, after all. Of course, both actions take a certain belief in what you do. I believe in writing. I believe in trying to get published. But I stare at my stories and am filled with enough neurosis and dread to flood a small nation. Why is that?

I was willing to face the reaction I got at the clinic, but to face reactions to my writing…

What scares you? What has scared you that you went and did anyway? (Like me writing this to you.)

Rent people.

I like to connect stories. A main character in this novel has a bit part in another. The characters live in the same town at different times. You don’t have to read my novels in any particular order exactly and each story stands alone, but if you did read them all, you might happen to find glimpses into other stories. Why does this appeal to me? No idea.

But my friend JES watched that Validation video I posted a few days ago, and that gem of a human being went and shared Rent-a-Person with me. So, if you liked Validation, watch this. Please note it was made two years BEFORE Validation–and that pleases me no end.

Have you written connected stories? Are there any overlapping stories that appeal to you? (And I don’t mean sequels.) Do you think such connections distract or add? Can you think of any such stories to recommend?

Winning is for losers.

Your application for admission…has been given careful consideration…. Unfortunately, you were not selected for admission to the graduate program…

Way back when I worked for a bank, I won $100. Every month two employees’ names were chosen at random. If those employees had the bank bumper sticker on their car, they each got $50. If one of those employees chosen didn’t have the bumper sticker, the other employee got that $50. and if neither had the bumper sticker, the money stayed at the bank.

There were hundreds of employees.

Employees from other branches called to congratulate me. The second name pulled from the hat belonged to a bank manager everyone hated. Everyone was pleased he didn’t have the bumper sticker on his car. I was pleased because he’d yelled at me just a few days before.

Sometimes you win for the most random reason. And sometimes there is real competition. The MFA program accepts only 10 or 12 applicants a year. My GPA is old and my GRE score is new but neither sparkle in the light of an English Department. My writing I like best didn’t match the criteria, so I sent what I could. Someone else obviously sent better. Since I can’t relocate, that is the end of that.

But let’s not focus on the losing. What about the winning? What have you won–a blue ribbon at the fair, a young lover’s heart, an impossible gamble? What is it right now that you’d like to win?

Won’t you cling to my Valentine?

in Bulgaria the day I got engaged

Valentine’s Day 1993 I decided to cook. I’d been dating my tactophobe boyfriend since September and had yet to cook for him. Maybe if I cooked, he’d finally kiss me. I didn’t believe that, but I wanted to.

In the morning I went to a wedding. The wedding took place in the bride & groom’s living room. Everyone invited stood in a circle. I stood next to the bride and held the flowers. That was closest I ever came to being a bridesmaid. Laughter and hope filled the ceremony though the marriage wouldn’t last. But when I said my goodbyes to the bride & groom, we couldn’t know they would divorce and then a while later he’d be dead. I left the party to cook lasagna for my boyfriend on Valentine’s Day.

I cooked in the skirt and satin blouse I’d worn to the wedding as if that would be the detail to charm him. He arrived late. Late enough for me to worry that he wasn’t coming, that he wasn’t really my boyfriend, and that he didn’t want to pretend to like me anymore. But when I opened the door he had flowers and chocolate. I took the six red roses thinking there was hope. The chocolates though… I loved chocolate, but the silly shaped seemed obligatory, predictable. “Thanks,” I said. He was never going to kiss me, I thought. I spun around to the oven. “Look! I cooked!”

He laughed. I unveiled the lasagna and it looked perfect. He had three helpings, and I hated myself for feeling proud of cooking. I didn’t want him to kiss me because I could cook. But, of course, he wasn’t going to kiss me.

On the sofa we sat the way we always did to watch a movie. He leaned against the armrest, I leaned back against him, his arms around my waist. A while later he left like he always did, I went to my room to cry, and when he called the next day, I agreed to see him again.

I think about the tactophobe whenever I wonder if I’m doing the wrong thing–as if trying to win an agent is like trying to win a kiss. And just as I cooked lasagna for the wrong person, I’m sending query letters to the wrong people too. It took months to accept that he was never going to like me, and when I knew it, I kept trying anyway.

I don’t seem able to pick the right agent. There is a right agent, isn’t there?

How and where do you search for an agent? What do you look for? How much rejection have you dealt with so far?

Enhance Your Writing

lunch time w/ a friend in junior high

“I don’t want any padding,” I say.

He looks away. He looks back. “I’m sorry. What are you looking for again?”

I didn’t expect a male salesperson for this, but I tell myself that it is no big deal. I’m a modern girl. And if women can be police officers and CEOs then men can work at Victoria Secret. “I just wanted one without any padding.”

I’ve already committed the sin of being taller than him. Now I want to make his job difficult. “It’s just usually in that size they have have something added,” he says. “You sure you don’t even want a…I mean a lot of women your size like–”

“I know. I know. But I really don’t.” I don’t want to explain. I’m already too tall and too flat, which means most of the time people assume I’m smart even though I never had the grades to back that up. In most men’s eyes, height and flatness equal intelligence. And none of that together equals a date.

He has to search a while. He finds what I want in a bottom drawer. These are not on the racks. “You’re sure this is what you want?” he says. “We’ve got–”

“This is fine,” I say. I concentrate more than necessary on the price tag. “Thanks.” Someone can like me the way I am, I want to say. That’s got to be better than thinking I’m something I’m not only to be disappointed. “Here’s my credit card,” I say. He looks as if he wants to tell me something I don’t want to hear, but I make a show of rearranging the cards in my wallet.

Don’t chase a market trend. Teenage vampires might be hot right now, but not everybody likes vampires and who knows what people will stand in line for next year. But certain things about fiction seem eternal. Certain qualities make a story marketable. I vaguely know what they are. They involve some agent somewhere saying like, “People love this stuff.” or “This has a built in fan base.” or “I can already see the book group possibilities.”

I look at my work and think, “I’m not really sure I can dress this up and take it out. Hell, I don’t know where to even take it to.” I suspect I’ve not written anything that is going to catch an agent’s eye, but I can’t imagine writing anything else.

Do you feel that what you write is natural to you? Are you trying to shape your work to fit a market? Are you conventional, quirky, or experimental? What about your work do you think will get you noticed?

Is there a wardrobe that leads to Publicatiania? (a tornado to The Agenterald City? pixie dust to Never Rejection Land?)

my uncle (left) and my dad (right) at Disney World

“I remember you dated a woman who lived there,” I said. My dad was driving us past Orchid Springs a maze of condos behind cypress trees and Spanish moss. “She was from England.”

“It was one date,” my dad said.

I sat in the backseat with my child and husband. I wanted to say, “But her name was Beverly and I was five. She had candy in red wrappers on the piano in her condo, she held my arms and spun me around in our yard, we took her to the train station to say goodbye and I cried all the way home.” I wanted to say, “I wanted you to marry her. She had a British accent.”

“Oh,” is what I said. I remembered her short blonde hair and the feeling of air between me and the ground when she spun me over the grass. It was a long time before my dad introduced me to another girlfriend. There is still this child that thinks–if you’d married her, Dad, we could’ve gone to England. ENGLAND! Narnia and Middle-Earth! The Hundred Acre Woods and Never Never Land! And through the looking-glass and up in castle towers with spinning wheels or dancing shoes and we never would’ve met your second wife…

One date? Am I to believe that?

I write, edit, write, and edit. I research agents. I read about query letters, about the publishing industry, about new books published. I listen to interviews with authors. And still I think PUBLICATION! As if everything magical is there. If I’d just written a different novel or queried different agents, I wouldn’t be so crazy.

When a hurricane threatened our home (way back when I was five or six), I used to put all my toys in my sleeping bag and crawl inside with them. This way if I got carried to Oz, I wouldn’t need to come back. I’d be ready to stay, because what idiot comes back?

But sometimes you have to admit that knocking on the back of every closet you meet isn’t going to open to a door to a secret world. The odds of getting an agent to open the door to the world of publishing may be slightly better, but the results will probably be less dramatic.

What did my dad think when his only child kissed him goodbye and said, “If I get there, I’m not coming back.”

Do you have unrealistic ideas about publication? What do you imagine publication will do for you? What do you hope for? How crazy a dream is it?